Bob Fosse (1927 – 1987)
Robert Louis Fosse (June 23, 1927 – September 23, 1987) was an American choreographer, dancer, actor, filmmaker, and stage director. Known for his work on stage and screen, he is arguably the most influential figure in the field of jazz dance in the twentieth century.
He received numerous accolades including an Academy Award, a BAFTA Award, three Primetime Emmy Awards, nine Tony Awards, and the Palme d’Or.
Fosse started his career acting in the musical productions of Call Me Mister (1947), Billion Dollar Baby (1951), and Pal Joey (1952). He transitioned into directing and choreographing musical works, winning Tony Awards for choreographing The Pajama Game (1954), Damn Yankees (1955), Redhead (1959), Little Me (1963), Sweet Charity (1966), Pippin (1972), Dancin’ (1978), and Big Deal (1986), as well as for directing Pippin. He also worked on Bells Are Ringing (1956), New Girl in Town (1958), How to Succeed in Business Without Really Trying (1961), and Chicago (1975).
On film he played Hortensio in the MGM musical Kiss Me Kate (1953) and had his directorial debut with the musical Sweet Charity (1969). He won the Academy Award for Best Director for the musical drama Cabaret (1972). He was Oscar-nominated for directing the dramas Lenny (1974) and All That Jazz (1979), the latter of which won the Palme d’Or at the Cannes Film Festival. He is also known for directing the concert film Liza with a Z (1972), which earned him the Primetime Emmy Award for Outstanding Directing for a Variety Special, and his final film Star 80 (1983).
Fosse forged an uncompromising modern style, characterized by finger-snapping, tilted bowler hats, fishnet stockings, splayed gloved fingers, turned-in knees and toes, shoulder rolls, and jazz hands. Fosse’s third wife was the actor–dancer Gwen Verdon, with whom he collaborated on a number of theater and film projects.
Life
Fosse was born in Uptown, Chicago, Illinois, on June 23, 1927, to Norwegian-American father Cyril Kingsley Fosse, a traveling salesman for Hershey,[2] and Irish-American mother Sarah Alice “Sadie” (née Stanton) Fosse.[3] He was the fifth of six children.[4][5][6]
He was drawn to dance and took lessons. When he was 13 years old, Fosse performed professionally in Chicago with Charles Grass as “The Riff Brothers”.[7] They toured vaudeville and movie houses in Chicago, as well as USO theaters and Eagles Clubs.[8] Many of these performances included shows at burlesque clubs such as the Silver Cloud and Cave of Winds. Fosse himself is quoted with saying, “I was sixteen years old, and I played the whole burlesque wheel.” However, many of the women and promoters did not care that Fosse was underage working in adult clubs or that he would be exposed to sexual harassment from the burlesque women. Much of the erotica he saw would inspire his future work. In 1943 at the age of 15, Fosse would come to choreograph his first dance number and earn his first full credit as a choreographer in a film, Hold Evry’thing! A Streamlined Extravaganza in Two Parts, which featured showgirls wearing strapless dresses and performing a fan dance, inspired by his time in burlesque houses.[9]
After graduating from Amundsen High School[10][11][12] in 1945, Fosse was recruited into the U.S. Navy toward the end of World War II at Naval Station Great Lakes, where he was sent to be prepared for combat. Fosse petitioned his manager, Frederick Weaver, to advocate on his behalf to his superiors after his own failed attempts to be placed in the Special Services Entertainment Division.[9] Fosse was soon placed in the variety show Tough Situation, which toured military and naval bases in the Pacific Ocean.
Marriage and Relationships
Fosse married dance partner Mary Ann Niles (1923–1987) on May 3, 1947, in Detroit.[42] In 1952, a year after he divorced Niles, he married dancer Joan McCracken in New York City;[43] they divorced in 1959.[44]
His third wife was dancer and actress Gwen Verdon, whom he met choreographing Damn Yankees, in which she starred.[45] In 1963 they had a daughter, Nicole Fosse, who later became a dancer and actress. Fosse’s extramarital affairs put a strain on the marriage and by 1971 they were separated, although they remained legally married until his death in 1987. Verdon never re-partnered.[25][46][47] During their joint career, Fosse would continually take blame from critics while Gwen Verdon would get praise, no matter how much influence Verdon had on a production. However, Verdon always looked out for him and the Fosse family image, hosting grandiose cast parties and being Fosse’s personal press secretary throughout their marriage.[9]
Fosse met dancer Ann Reinking during the run of Pippin in 1972. According to Reinking, their romantic relationship ended “toward the end of the run of Dancin'” (1978).[48] Reinking acted in his musical drama film All That Jazz, which was loosely based on Fosse’s life.[49]
Fosse also dated actresses Jessica Lange and Dyan Cannon.[50][51]
Illness and Substance Abuse
In 1961 Fosse’s epilepsy was revealed when he had a seizure onstage during rehearsals for The Conquering Hero.[25] Fosse’s time outside of the rehearsal studio or theater was seldom spent alone. As stated in the biography Fosse by Sam Wasson, “nights alone were murder on Fosse”. To alleviate loneliness and insomnia brought on by his prescribed amphetamines, Fosse would often contact dancers he would work with and try to date them, making it hard for many to refuse his advances, but also giving him the affirmation of success he sought.[9]
Death
Fosse died of a heart attack on September 23, 1987, at George Washington University Hospital while the revival of Sweet Charity was opening at the nearby National Theatre.[4] He had collapsed in Verdon’s arms near the Willard Hotel.[52] As he had requested, Verdon and Nicole Fosse scattered his ashes in the Atlantic Ocean off Quogue, Long Island, where Fosse had been living with his girlfriend of four years.[53] A month after his death, Verdon fulfilled Fosse’s request for his friends to “go out and have dinner on me” by hosting a star-studded, celebrity-filled evening at Tavern on the Green with Verdon, Reinking, Jessica Lange, Roy Scheider, Ben Vereen, and E. L. Doctorow attending.[54]
Stage Work
| Year | Title | Functioned as | Role | Venue | Notes | Ref. | ||
|---|---|---|---|---|---|---|---|---|
| Director | Choreographer | Performer | ||||||
| 1947 | Call Me Mister | No | No | Yes | Chorus member | U.S. tour | ||
| 1948 | Make Mine Manhattan | No | No | Yes | Ensemble member | |||
| 1950 | Dance Me a Song | No | No | Yes | Dancer | Royale Theatre, Broadway | [55] | |
| 1951 | Billion Dollar Baby | No | No | Yes | Champ Watson | Alvin Theatre, Broadway | [56] | |
| 1952 | Pal Joey | No | No | Yes | Joey Evans | Broadhurst Theatre, Broadway | Understudy | [57] |
| 1954 | The Pajama Game | No | Yes | No | — | [58] | ||
| 1955 | Damn Yankees | No | Yes | No | — | Adelphi Theatre, Broadway | [59] | |
| 1956 | Bells Are Ringing | No | Yes | No | — | Alvin Theatre, Broadway | [60] | |
| 1958 | New Girl in Town | No | Yes | No | — | 46th Street Theatre, Broadway | [61] | |
| 1959 | Redhead | Yes | Yes | No | — | [62] | ||
| 1961 | The Conquering Hero | No | Yes | No | — | ANTA Theatre, Broadway | Uncredited | [63] |
| 1961 | How to Succeed in Business Without Really Trying | No | Yes | No | — | 46th Street Theatre, Broadway | [64] | |
| 1962 | Little Me | Yes | Yes | No | — | Lunt-Fontanne Theatre, Broadway | [65] | |
| 1963 | Pal Joey | No | No | Yes | Joey Evans | New York City Center, Broadway | [66] | |
| 1965 | Pleasures and Palaces | Yes | Yes | No | — | Fisher Theatre, Detroit | [67] | |
| 1966 | Sweet Charity | Yes | Yes | No | — | Palace Theatre, Broadway | [68] | |
| 1972 | Pippin | Yes | Yes | No | — | Imperial Theatre, Broadway | Also book writer | [69] |
| 1972 | Liza | Yes | Yes | No | — | Winter Garden Theatre, Broadway | [70] | |
| 1975 | Chicago | Yes | Yes | No | — | 46th Street Theatre, Broadway | Also book writer | [71] |
| 1978 | Dancin’ | Yes | Yes | No | — | Ambassador Theatre, Broadway | [72] | |
| 1986 | Big Deal | Yes | Yes | No | — | Broadway Theatre, Broadway | [73] | |
| 1986 | Sweet Charity | Yes | Yes | No | — | Minskoff Theatre, Broadway | [74] | |
Filmography
Film
| Year | Title | Functioned as | Role | Notes | Ref. | |||
|---|---|---|---|---|---|---|---|---|
| Director | Writer | Choreographer | Actor | |||||
| 1953 | The Affairs of Dobie Gillis | No | No | No | Yes | Charlie Trask | [75] | |
| 1953 | Kiss Me Kate | No | No | No | Yes | Hortensio | [75] | |
| 1953 | Give a Girl a Break | No | No | No | Yes | Bob Dowdy | [75] | |
| 1955 | My Sister Eileen | No | No | Yes | Yes | Frank Lippincott | [75] | |
| 1957 | The Pajama Game | No | No | Yes | No | — | [75] | |
| 1958 | Damn Yankees | No | No | Yes | Yes | Mambo Dancer | Uncredited | [75] |
| 1969 | Sweet Charity | Yes | No | Yes | No | — | Directorial Debut | [75] |
| 1972 | Cabaret | Yes | No | Yes | No | — | [75] | |
| 1974 | The Little Prince | No | No | Yes | Yes | The Snake | [75] | |
| 1974 | Lenny | Yes | No | No | Yes | The Interviewer | [75] | |
| 1977 | Thieves | No | No | No | Yes | Mr. Day | [75] | |
| 1979 | All That Jazz | Yes | Yes | Yes | No | — | [75] | |
| 1983 | Star 80 | Yes | Yes | No | No | — | [75] | |
Television
| Year | Title | Functioned as | Role | Notes | Ref. | ||
|---|---|---|---|---|---|---|---|
| Director | Choreographer | Actor | |||||
| 1949-50 | 54th Street Revue | No | No | Yes | Dancer | [75] | |
| 1950 | The George Burns and Gracie Allen Show | No | No | Yes | Himself | Episode: “Gracie the Artist” | [75] |
| 1951 | The Colgate Comedy Hour | No | Yes | No | — | Episodes S1E22 & S1E37 | [75] |
| 1959 | The Dinah Shore Chevy Show | No | Yes | No | — | Episode S4E1 | [75] |
| Startime | Yes | Yes | No | — | Episode: “The Wonderful World of Entertainment” | [75] | |
| 1961 | The Seasons of Youth | No | Yes | No | — | Television special | [75] |
| 1970 | The Ed Sullivan Show | No | Yes | No | — | Episode S23E19 | [75] |
| 1972 | Liza with a Z | Yes | No | No | — | Television special | [75] |
| 1982 | Pippin: His Life and Times | No | Yes | No | — | Television film | [75] |
Awards, Honors, and Legacy
At the 1973 Academy Awards, Fosse won the Academy Award for Best Director for Cabaret. That same year he won Tony Awards for directing and choreographing Pippin and Primetime Emmy Awards for producing, choreographing and directing Liza Minnelli’s television special Liza with a Z. Fosse was the only person to win all three major industry awards in the same year.
Fosse was inducted into the National Museum of Dance in Saratoga Springs, New York, on April 27, 2007. The Los Angeles Dance Awards, founded in 1994, were called the “Fosse Awards”, and are now called the American Choreography Awards. The Bob Fosse–Gwen Verdon Fellowship was established by their daughter, Nicole Fosse, in 2003 at the Alvin Ailey American Dance Theater.
Reinking and Verdon kept Fosse’s unique choreography alive after his death. Reinking played the role of Roxie Hart in the New York revival of Chicago, which opened in 1996. She choreographed the dances in Fosse style for that revival. In 1999, Verdon served as artistic consultant on a Broadway musical designed to showcase examples of classic Fosse choreography. Called simply Fosse, the three-act musical revue was conceived and choreographed by Chet Walker, directed and co-conceived by Richard Maltby, Jr., and co-directed, co-choreographed by co-conceived by Ann Reinking. Verdon and Fosse’s daughter, Nicole, received a special thanks credit. The show won a Tony for best musical.[76]
Fosse/Verdon is an eight-part American miniseries starring Sam Rockwell as Fosse and Michelle Williams as Verdon. The series, which tells the story of the couple’s troubled personal and professional relationship, is based on the biography Fosse by Sam Wasson.[77] It premiered in eight parts on April 9, 2019, on FX. At the 71st Primetime Emmy Awards, Fosse/Verdon received seventeen nominations, including Outstanding Limited Series and acting nominations for Rockwell, Williams, and Qualley. Williams won the Emmy for Outstanding Actress in a Limited Series.